The golden nose of sommelier David Seijas (ex-El Bulli) visits Amsterdam

A few days ago I participated in the Master class of David Seijas at the GaultMillau Theater of the annual Wineprofessional fair in Amsterdam. David Seijas was (together with Ferran Centelles) the sommelier at Ferran Adria’s restaurant El-Bulli in Roses-Spain. And yes, of course there was talk about El Bulli. David Seijas wisely kept quiet on the subject. If and when El Bulli will re-open remains a question mark, although some people suggested that it may happen in the (near) future.

For the wineprofessional masterclass David made a selection from the range of Spanish wines from Tamis | Wines Vinovia, which he introduced and gave some tasting notes; twice pairing the wine with an amuse style dish prepared by the chefs Chris Naylor, Niek Beute en Simon Veldman of restaurant Vermeer.

David Seijas talked passionately about Spanish wines, wine areas, winemakers, vinification methods and new trends in winemaking, but mentioned on the sidelines that he also has a preference for Burgundy and Bordeaux wines. He recalls the conversations he had with Ferran Adria about the impossible task to pair all the wines with the forty or so small dishes El Bulli served at each meal. Even Ferran Adria agreed it was quite impossible and they decided instead to build an extended wine list with at least two criteria in the back of their heads: first the wines had to be good and second if the wines were produced in a biodynamic or sustainable way it would even be better. “My choice was always simple: first to choose the good wine for the wine list itself and only then factors like bio-dynamics and sustainability become important.”

We started with a 2010 Herencia Altés ‘Benufet’ garnatxa blanca Terra Alta, quite a dense wine with a fresh acidity. Terras Alltas are a new and upcoming wine area, known in the past for their red and white Grenache wines. Especially the white Grenache wines used to have a bad name, David said that often one could expect a tired white wine without a lot of acidity, these wines were also called “donut wines”. Nowadays the motto is fresh acidity. To achieve this the time of harvest makes all the difference, the grapes are picked early to keep the freshness. The vineyards are found on a 450-600 meter altitude, warm during the day, cool in the night. The grapes are generally from old vines, which give the wine some minerality. The Herencia wines are made by Núria Altes, a female winemaker who grew up in the Terra Alta area, where her family owns vineyards around the village Batea, the center of viticulture in the region. Best of all is the price; € 7,50 a bottle.

The second wine was a 2010 Finca Remendio Verdejo Rueda, a fruity, smooth, aromatic, fresh, dry wine, but less acidic than the first one. Peach, apricot, grass, sometimes even a hint of fennel; 30- 40% of the grapes come from old vines.This 100% Verdejo D.O. Rueda wine is from the Castilla y León region, where whites are predominant, mainly Verdejo and Sauvignon Blanc, not so much red. Sometimes Verdejo can be a bit too aromatic for David, but his clients like it. Both the first and the second wine did well with the dish of fish, red cabbage and root that was served.

The 2010 Diluvio Albariño Rías Baixas from Galicia, floral and tastes of ripe stone fruits like peach and nectarine with hints of pineapple, melon, citrus and ripe yellow apple. The aftertaste is slightly spicy, but also refreshing with subtle bitters. In the beginning the wine gives a closed impression, it needs air to develop. David explains that this wine is made “sur lie” with yeast in order to give more body to the wine. Albarino used to tone floral, salty; through the yeast you win texture, most of the new style albarinos are made “sur lie”. The Diluvio grapes come from a vineyard with 70 years old vines. Immediately after picking the grapes are cold soaked to extract even more flavor. After fermentation the wine then rests for several months on the yeast spores to develop additional flavor complexity. The combination of old vines, low yields and a meticulous vinification create a wine with complexity, depth and minerality.

The fourth wine a 2010 Marquesińo godello Valdeorras is made from the aromatic, white Godello grape, one of the oldest grape varieties in Spain.The Godello grape was documented even in Roman times, but only in the past thirty years the Godello reclaimed its old status as one of the three exceptional Spanish white grape varieties, the other ones being Verdejo and Albariño. The Godello is a tricky grape to grow and vinify, but in the right hands, the wine makes a statement. Valdorreas is Galicia’s main appellation for the Godello. This small, amazing appellation lies just inland and benefits from both a Continental and a Mediterranean climate. The terroir-driven Godello grapes and a dedicated group of winemakers are the key-factors in the creation of this delicate, elegant, aromatic wine, with key notes of peach, apricot, lemon, grapefruit and wild flowers, all expressed with lively acidity. Raised 50% in oak the godello has some bitter notes, especially in the aftertaste, little spicy also.

Thanks to Gerard Tamis for the invitation.
Tamis (http://www.tamiswijnen.nl/)
Wines Vinovia (http://www.vinovia.nl/)

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Two lives for the price of one. The story of a young woman, and old vineyard and a new wine – Mas des Dames.

‘From the valley a narrow road leads up the mountain’.  Het Domein  / The Domain starts with a description of  the road leading to Mas des Dames,  an 18th century Mas  (farm house villa) and wine estate surrounded by 14 hectares of vines in Murviel les Beziers.

Lidewij van Wilgen winemaker / vingeronne of Mas des Dames did what a lot of people dream about, but only a handful of people have the guts to do.  Lidewij van Wilgen came, saw and conquered the art of wine making. “I have two lives for the price of one”, she said in an interview, “I’ve done two things which are fun, advertising and wine”.  It was her love of wine and a desire for a life closer to nature that led her (and her former husband) to the narrow road up the mountain to find this old southern French wine estate in 2002. The property is located in the foothills of Faugères, twenty minutes from Beziers and the Mediterranean. The vineyards are located in the hills and consist of several small plots, surrounded by natural vegetation and oak trees, olive trees, pine trees and fragrant herbs like thyme and rosemary. Scientists discovered that this ‘garrigue – mix of vegetation’  creates a balance in nature and provides a natural protection against disease. All vineyards are oriented to the south and situated around the main building: the 18th century Mas.

In the Netherlands I had everything I wanted, but then you start to take a closer look, what do I really want to do with my life? In our case it was a wine estate in France and indeed that sounds like a romantic cliché, but reality hit hard after the initial romance.  Lidewij’s husband could not settle in the South of France and went back to Amsterdam to continue his career in advertising.

“One day you open the shutters of your house and realize that you are all alone in the middle of nowhere with three children. It was like going cold turkey from the life you had before and it was also quite sad, you sit there with your little baby and not a friend you can go to. You want to do something that all those people who live here already hundreds of years are doing and then you come as a foreigner without any experience or knowledge about wine making. I realized that I had no choice, I started this and I thought, well, I want to do this well. I wanted to know how to make wine. ”

Lidewij studied oenology and wine growing at the local agricultural school, amidst the sons of farmers, to learn the trade and has been responsible for the operation since, but her three daughters often help.  Moreover they became the inspiration for the name of the domain. “What is is important to us? The girls of course! Three times, three girls - Mas des Dames”.

Lidewij’s philosophy is to make original wines, which give a natural optimal expression of the terroir. With the help of the ‘garrigue’ Mas des Dames got rid of the insecticides, uses no synthetic fertilizers and minimal  treatment. All grapes are picked and sorted by hand. Yields are relatively low (35 hl / ha). After years of hard work Lidewij has succeeded in making wines that are highly regarded and praised.  Mas des Dames wines can be found in the Netherland at Okhuyzen, in Britain at Berry Bros, Rudd and Roberson, Germany at Walter und Sohn and United States at Vintage 59. I personally prefer the expressive but elegant La Diva. A deep, supple, unusual red wine made with 15% very old Alicante.

Two lives for the price of one. Does she want a third? ”I like my life now; it is like I always lived like this, I do not need a third, but it’s nice to know that I can”. Lidewij’s story Het Domein (The Domain) has been published in Dutch. At the moment The Domain is not available in English.


Gepubliceerd op : 23 september 2011 | door Marjolein Stoop (Beeld: RNW)

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Bacchus in the low countries, a trip down history lane

When Bacchus, the Roman god of vines and wine, reached the Netherlands is not clear, but fact is that the Romans planted vines where ever they could and successfully did so in the Low Countries.

Romans were very fond of their wine and the Roman frontier tends to follow the limits where grapes will grow, in this case the outer limits of the rivers Rhine, Meuse (Maas) and their different tributaries. The fertile land and good transportation facilities made this region densely populated. The Roman winegrowers adapted well to the Northern location, although it is fair to assume that the climate must have been warmer then. Roman grape vines required the annual temperature not to drop below zero to minus five degrees Celsius.  There is archeological evidence of viticulture on the hills of the Maas-, Geul-, and Jeter valley.

Yet what we don’t know is how ancient Roman wine really tasted. We do know that wines underwent fermentation and maturation. Distillation was unknown in the ancient world.  Most wines were fermented to the point where the yeast is killed by the alcohol it produces, which generally resulted in a sweet wine of high alcohol content, often as much as fifteen or sixteen percent. This could offer an explanation for the fact that Romans mixed their wine with water (one part wine to two parts water) and often drank it spicy and hot.  Only provincials and barbarians drink their wine (merum) undiluted was the slogan at the time. Sometimes honey was added as a sweetener or sea water to create the opposite effect. Other aroma enforcing agents were spices, raisins and resin, all of which helped to preserve the wine.

The provincial winemakers must have been successful, because in 92 AD, in an attempt to protect the interests of Italian wine-growers, an edict of Emperor Domitian ordered the destruction of at least half of the vineyards. The Roman Empire needs land for grain and not wine was his excuse. As an extra detriment Domitian prohibited the planting of grape vines for almost two centuries. In obvious defiance, for reason that Roman citizens considered it their prerogative to cultivate vines, the Roman provinces largely ignored Domitian’s edict.  Yet a lot of vineyards were uprooted by force, which led to the breakdown of wine industry in the Northern provinces.

It was not until 276 AD that the new emperor Marcus Aurelius Probus annulled the edict of Emperor Domitian and encouraged the planting of new vines in the Roman colonies to occupy his soldiers in times of peace. Probus’ viticultural ambitions unfortunately lead to his downfall. His soldiers preferred the glory of battle over the hard labor of planting and maintaining vines.  In the fall of 282 Probus was inspecting a legion, which had been given the job of setting up a vineyard in Surmium (now in modern day Serbia), when a mutiny broke out.  His rebellious soldiers chased Probus into a tower and murdered him on the spot. By the time the Roman Empire collapsed, around the fifth century AD, religious institutions became the primary repositories of wine making techniques that had been developed in Roman times.

The Dutch wine story continues in the early Middle Ages when Maastricht became the centre of the worship of Saint Servatius. The order of Saint Servatius had vineyards in Güls near Koblenz, but the yields were insufficient to satisfy the local market. In consequence Maastricht started to produce its own wines. Similar to elsewhere in Europe it were the religious orders who maintained the viticulture in the Low Countries. There was no lack of viticultural knowledge due to a frequent exchange with other monasteries of the Saint Servatius order. The monasteries had the resources, security, and stability to maintain and improve the quality of their vines. While most wine was made and consumed locally, the Maastricht wines were produced for the religious market in Belgium, France, and Germany as well.

It is not known when and how the decline of viticulture started in the Netherlands. There was the discovery and development of distillation throughout the Middle Ages and the rising popularity of beer. The invention of using hop to preserve beer over a longer period made beer a cheaper alternative for fresh, clean drinking water than wine. On top of that the climate changed. The Little Ice Age from 1550 till 1700 lead to the shutdown of many vineyards, it became simply too cold for the vines. Furthermore the start of the Dutch trading system in 16th and 17th Century made importing wines from France or other countries an easier and more profitable business. On top of that the better quality of the imported wines proved to be another difficult hurdle for the local wine industry.

Although on a side note, one could state that Jan van Riebeeck, on assignment of the Dutch East India Company, continued the Dutch viticulture tradition through his planting of vine cuttings in the new province of the Cape of Good Hope. It was known to Van Riebeek that wine, especially young red wine (sometimes carried on ships instead of water) could ward off scurvy for sailors on a stopover from their voyages along the spice route. On the second day of February 1659 Jan van Riebeeck famously wrote in his diary : “today, God be praised, wine was pressed at the Cape for the first time, namely from the new must, fresh from the vat”.  The founding of the South African wine industry coincided with a further decline in Dutch wine production.

It was Napoleon who delivered the final blow. In order to protect French farmers (yes, economic protection is from all times), he laid a heavy tax on the Dutch grape crops. Dutch wine production effectively came to a standstill. Add to this the cool and damp climate, serious diseases and pests, like Phylloxera, Botrytis, powdery and downy mildew in the nineteenth and twentieth century and you will understand why it took until 1967 to open the first new vineyard in the Netherlands.

Only in last twenty years viticulture in the Netherlands started booming again. In the beginning there were only commercial vineyards in the warmer South and a decade or so later in the Eastern part of the Netherlands. Now, under the influence of global warming and genetic manipulation of grapes, you can even find vineyards as far north as Groningen and the Wadden Islands in the North Sea. While in the seventies, eighties and nineties one worked mainly with the classic grape varieties like Riesling, Müller Thurgau, Dornfelder, Auxerrois, Pinot Gris and Pinot Noir, the new hybrid, mildew-tolerant grape varieties of today (with as an extra bonus early ripening) amplified the art of wine making in the Netherlands.  In 2010 there were about 200 vineyards, of which 100 are commercially exploited. The production amounts to approximately 1.2 million bottles of wine per year. The growth in production and more emphasis on quality increases the likelihood of finding a good quality Dutch wine on the wine list of a restaurant, though I still consider it the most fun to get the wine itself at the vineyard or wine grower’s store.

Allow yourself to be surprised by the craftsmanship of the Dutch wine growers and their ability to make quality wines (under not so favourable circumstances) and remember that Bacchus already in Roman times opened the gate of his heart to the Low Countries.

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Wine and the art of music, don’t spill any, just suck it in and enjoy

Do people with blogs write about wine and music, not a lot I found out.  Strange enough, because wine and music are such a good combo.  What can be better than drinking a fine wine and listening to the right music, whatever that is for you? Or, open a great bottle of wine and play your guitar to get into the right mood and talk about, you guessed it, wine and music. Also in lyrics you will find a lot of references to wine, though oddly enough a lot about cheap wine and the side effects after a certain amount of consumption. There is even a website where hand-picked wines are paired with music http://www.wineandmusic.com/ - where Mood Matters -and you can also tune in to the live stream of the Wine and Music’s radio station.

The art of making wine and the art of music. Not often we come across someone who is both passionately working in the wine world and music world. There are examples like Mr Simply Red, Mick Hucknall, who more than a decade ago became a keen vintner in Sicily after a long career in music. He owns the 18th-century estate Il  Cantante (the Singer) on the slopes of Mount  Etna, managed by his wife Gabriella Wesberry and run by wine specialist and consultant Salvatore Foti. The results are considered to be quite impressive.

The fact that some celebrities are extremely passionate about wine, mostly about drinking, is no secret. If this was also the case for Eric Burdon I don’t know. In 1970 Burdon sang as temporary member of the Californian jam band War (tired of his band The Animals in the UK) spill the wine, take that pearl. It became a huge hit. In the late 90′s the song was rediscovered as part of the soundtrack to the film Boogie Nights. You can hear the song during the pool party scene, showing Mark Wahlberg, Burt Reynolds and Philip Baker.

I did not spill any time looking for a copy of  Boogie Nights, but unfortunately found none, instead  tracked down Spill The Wine of Eric Burdon and War on YouTube, artfully adapted by camelchimes, with the lyrics on screen. Just suck it in and enjoy.

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